Both were disappointing.
Of all the actresses on the show, I'd argue the finest was Shannen Doherty.
There would have been no Charmed without her and anyone who tells you differently is rewriting history.
Alyssa Milano did not pull in viewers. Don't pretend. She was on Who's The Boss and was not popular enough for a spin-off -- though they tried that backdoor pilot.
She then joined Melrose Place and was awful. That is why she left the show. She came on when Sidney left and was seen as a very disappointing substitute. When David Charvet's character died, people blamed her.
Most people don't know this or remember it. But let me be clear on this and the reactions. I watched Melrose at those Melrose watching parties. You'd drink and watch the show and eat. And Alyssa was booed loudly. Everyone found her annoying.
That's why her character disappeared.
No, the reason to watch was Shannen. She was a strong actress and she also pulled in the drama publicity because, after being fired from 90210, she was now working with Aaron Spelling again.
When she was fired at the end of season three, Alyssa was rightly blamed. She'd gone to Aaron and demanded that he fire Shannen or she was going to walk.
He should have let her walk.
Season four was bad and season five was worse and six got even worse. These are the years Rose McGowan joined the show.
Rose was not the problem. She brought some solid energy to the show. She could act, she could charm, she was wonderful.
The problem was all the emphasis on Phoebe. Every episode seemed to cater to Alyssa's character. And she wasn't interesting. Alyssa can't act. She can recite lines. She can make her eyes go big or thin based upon the 'emotion' she feels she needs to deliver.
There is never a character onscreen with Alyssa.
I doubt Holly Marie is Piper in real life. She acted the role. I'm sure she pulled some from her own life. I'm pretty sure she pulled certain things from others -- she'd observe people, friends or strangers, and bring that into Piper. It's why Piper gets more and more complex as the show continues. Holly Marie created a layered character who was as real as anyone you know in your own life (but with magic powers). That's a real feat.
Rose did the same. She was not the innocent she played. She'd lived a wild life (good for her) but she was an actress and she was coming into a long running show and she looked to see what kind of character would be different but would fit in. Paige was real acting.
And that's why Phoebe as a mermaid or as genie or as this or that was so awful.
They'd come up with these stunt premises and they'd give them to Alyssa who couldn't even create a character in a normal setting.
She has no craft. She has no skill. She has the talent of a child actor, as Ava and C.I. have pointed out, and she shows up like a good little kid knowing her lines and thinking that's all she needs to do.
That's why they won't hire her today. She's gotten a lot older. She's not longer fresh and shining. And she never bothered to study her craft.
What's acceptable for a child actor isn't for an adult. Alyssa coasted on her looks for a long time. She can't anymore.
On the reboot, Maggie was the Phoebe character. And the show got worse as it went along because Sarah Jefferey became the focus. And that made no sense.
She's a little better as an actress than Alyssa but Alyssa did have beauty. It got boring and tiresome as this or that man was mooning over Phoebe. But you didn't think, "This would never happen."
With Sarah, you did think that. She put on a lot of weight and she got that hideous perm. She looked like a fat sausage about to explode out of its casing.
So an episode where three or four men are fawning over her?
Again, Alyssa, for all her faults, could have made that work. Sarah didn't have the beauty. You'd say she had a pretty smile or pretty face. That's all you'd say.
But the reboot used the same nonsense that the original did for Alyssa. And, again, we saw real actresses suffer. Madeleine Mantock was the best actress on the reboot and she sideline far too often. Melonie Diaz was a strong actress and they really destroyed Mel. They made her a lesbian and then, after that step, refused to let her play on an equal field. To prevent showing romantic scenes for Mel, they'd do things like make the character pregnant (don't ask) and as the show went on and on and we saw Maggie hitting everything under the sun, it really became too much to deal with Mel. I think Matt on the original Melrose Place in the 90s had a more active love life than Mel did.
The reboot started off strong in season one and two was still worth watching.
By season three, the homophobia -- that's what refusing to treat Mel in the same manner they did her sisters -- and the constant focus on Maggie had ruined the show.
And, to be clear, this was popcorn TV. It was candy corn. This was not deep drama -- not the reboot, not the original. The actress on the original (with the exception of Shannen) seem to think they were doing amazing and ground breaking TV -- they weren't.
This is C.I.'s "Iraq snapshot:"
We now know, courtesy of a Yahoo News investigation, that through 2017 the CIA hatched various schemes either to assassinate Assange or to kidnap him in one of its illegal “extraordinary rendition” operations, so he could be permanently locked up in the US, out of public view.
We can surmise that the CIA also believed it needed to prepare the ground for such a rogue operation by bringing the public on board. According to Yahoo’s investigation, the CIA believed Assange’s seizure might require a gun battle on the streets of London.
It was at this point, it seems, that Cadwalladr and the Guardian were encouraged to add their own weight to the cause of further turning public opinion against Assange.
According to her witness statement, “a confidential source in [the] US” suggested – at the very time the CIA was mulling over these various plots – that she write about a supposed visit by Farage to Assange in the embassy. The story ran in the Guardian under the headline “When Nigel Farage met Julian Assange.”
In the article, Cadwalladr offers a strong hint as to who had been treating her as a confidant: the one source mentioned in the piece is “a highly placed contact with links to US intelligence”. In other words, the CIA almost certainly fed her the agency’s angle on the story.
In the piece, Cadwalladr threads together her and the CIA’s claims of “a political alignment between WikiLeaks’ ideology, UKIP’s ideology and Trump’s ideology”. Behind the scenes, she suggests, was the hidden hand of the Kremlin, guiding them all in a malign plot to fatally undermine British democracy.
She quotes her “highly placed contact” claiming that Farage and Assange’s alleged face-to-face meeting was necessary to pass information of their nefarious plot “in ways and places that cannot be monitored”.
Except of course, as her “highly placed contact” knew – and as we now know, thanks to exposes by the Grayzone website – that was a lie. In tandem with its plot to kill or kidnap Assange, the CIA illegally installed cameras inside, as well as outside, the embassy. His every move in the embassy was monitored – even in the toilet block.
The reality was that the CIA was bugging and videoing Assange’s every conversation in the embassy, even the face-to-face ones. If the CIA actually had a recording of Assange and Farage meeting and discussing a Kremlin-inspired plot, it would have found a way to make it public by now.
Far more plausible is what Farage and WikiLeaks say: that such a meeting never happened. Farage visited the embassy to try to interview Assange for his LBC radio show but was denied access. That can be easily confirmed because by then the Ecuadorian embassy was allying with the US and refusing Assange any contact with visitors apart from his lawyers.
Eight months later, Sadr seems to be walking away from the government-formation process, throwing Iraqi politics into uncertain terrain.
What’s his end game? Our interviews with senior figures within Sadr’s group suggest he may now focus on leading protests against political opponents. The protest space is where Sadr has been uniquely powerful as the leader of one of the largest Islamist movements in the region, organized around his personal authority as a charismatic, religious figurehead.
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